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140225s2014 miua ob 001 0 eng d
▼a 923512280
▼a 9780814339725
▼q (electronic bk.)
▼a 0814339727
▼q (electronic bk.)
▼a 0814339727
▼q (ebook)
▼z 9780814339718
▼z 0814339719
▼a DEBSZ
▼b 421220880
▼a DEBBG
▼b BV043035640
▼a GBVCP
▼b 812670116
▼a (OCoLC)871002151
▼z (OCoLC)923512280
▼a N$T
▼b eng
▼e rda
▼e pn
▼c N$T
▼d YDXCP
▼d OCLCO
▼d OCLCF
▼d OCLCQ
▼d OCLCO
▼d EBLCP
▼d OCLCO
▼d 248023
▼a PN1995.9.D6
▼b D63 2014eb
▼a LAN
▼x 008000
▼2 bisacsh
▼a 070.18
▼2 22
▼a Documenting the documentary:
▼b close readings of documentary film and video /:
▼c edited by Barry Keith Grant and Jeannette Sloniowski ; with a foreword by Bill Nichols.
▼a Detroit :
▼b Wayne State University Press,
▼c [2014]
▼a 1 online resource (xxviii, 570 pages):
▼b illustrations.
▼a text
▼b txt
▼2 rdacontent
▼a computer
▼b c
▼2 rdamedia
▼a online resource
▼b cr
▼2 rdacarrier
▼a Contemporary approaches to film and media series
▼a "This new edition ... adds five essays on more recent films"--Back cover.
▼a Includes bibliographical references and index.
▼a The filmmaker as hunter : Robert Flaherty's Nanook of the north / William Rothman -- "Peace between man and machine" : Dziga Vertov's Man with a movie camera / Seth Feldman -- Paradise regained : Sergei Eisenstein's Que viva México! as ethnography / Joanne Hershfield -- Synthetic vision : the dialectical imperative of Luis Buñuel's Las hurdes / Vivian Sobchack -- The art of national projection : Basil Wright's Song of Ceylon / William Guynn -- The mass psychology of fascist cinema : Leni Riefenstahl's Triumph of the will / Frank P. Tomasulo -- American documentary finds its voice : persuasion and expression in The plow that broke the plains and the city / Charlie Keil -- "Men cannot act before the camera in the presence of death" : Joris Ivens's The Spanish earth / Thomas Waugh -- The poetics of propaganda : Humphrey Jennings and Listen to Britain / Jim Leach -- "It was an atrocious film" : Georges Franju's Blood of the beasts / Jeannette Sloniowski -- The "dialogic imagination" of Jean Rouch : covert conversations in Les maîtres fous / Diane Scheinman -- Documenting the ineffable : terror and memory in Alain Resnais's Night and fog / Sandy Flitterman-Lewis -- Making the past present : Peter Watkins's Culloden / John R. Cook -- "Don't you ever just watch?" : American cinema verité and Dont look back / Jeanne Hall -- "Ethnography in the first person" : Frederick Wiseman's Titicut follies / Barry Keith Grant -- The two avant-gardes : Solanas and Getino's The hour of the furnaces / Robert Stam -- Seeing with experimental eyes : Stan Brakhage's The act of seeing with one's own eyes / Bart Testa -- "A bastard union of several forms" : style and narrative in An American family / Jeffrey K. Ruoff -- The documentary of displaced persona : Michael Rubbo's Daisy, the story of a facelift / Joan Nicks -- Gender, power, and a cucumber : satirizing masculinity in This is spinal tap / Carl Plantinga -- Documentary film and the discourse of hysterical/historical narrative : Ross McElwee's Sherman's march / Lucy Fischer -- Subjectivity lost and found : Bill Viola's I do not know what it is I am like / Catherine Russell -- Mirrors without memories : truth, history, and The thin blue line / Linda Williams -- Documentaphobia and mixed modes : Michael Moore's Roger & me / Matthew Bernstein -- Silence and its opposite : expressions of race in Tongues untied / Sheila Petty -- Containing fire : performance in Paris is burning / Caryl Flinn -- Contested territory : Camille Billops and James Hatch's Finding Christa / Julia Lesage -- Spike Lee's 4 little girls : the politics of the documentary interview / Paula J. Massood -- The gleaners and "us" : the radical modesty of Agnès Varda's Les glaneurs et la glaneuse / Virginia Bonner -- "You must never listen to this" : lessons on sound, cinema, and mortality from Werner Herzog's Grizzly man / David T. Johnson -- Cultural learnings of Borat for make benefit glorious study of documentary / Leshu Torchin.
▼a Anthology of essays on the artistic and persuasive aspects of documentary film from a range of critical viewpoints.
▼a Print version record.
▼a eBooks on EBSCOhost
▼b All EBSCO eBooks
▼a Documentary films
▼x History and criticism.
▼a LANGUAGE ARTS & DISCIPLINES
▼x Journalism.
▼2 bisacsh
▼a Documentary films.
▼2 fast
▼0 (OCoLC)fst00896079
▼a Documentary films -- History and criticism.
▼a Electronic books.
▼a Criticism, interpretation, etc.
▼2 fast
▼0 (OCoLC)fst01411635
▼a Electronic books.
▼a Grant, Barry Keith,
▼d 1947-,
▼e editor.
▼a Sloniowski, Jeannette,
▼d 1946-,
▼e editor.
▼a Nichols, Bill,
▼d 1942-,
▼e writer of supplementary textual content.
▼i Print version:
▼t Documenting the documentary,
▼z 9780814339718
▼w (OCoLC)869965329
▼a Contemporary approaches to film and media series.
▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=698576
▼a EBSCOhost
▼b EBSC
▼n 698576
▼a YBP Library Services
▼b YANK
▼n 11649075
▼a EBL - Ebook Library
▼b EBLB
▼n EBL3416586
▼a 강리원
▼a eBook
▼a 92
▼b KRKUC
| 자료유형 : | eBook |
|---|---|
| ISBN : | 9780814339725 |
| ISBN : | 0814339727 |
| ISBN : | 0814339727 |
| ISBN : | |
| ISBN : | |
| 서명/저자사항 : | Documenting the documentary: close readings of documentary film and video /: edited by Barry Keith Grant and Jeannette Sloniowski ; with a foreword by Bill Nichols. |
| 발행 : | Detroit : Wayne State University Press, [2014] |
| 형태사항 : | 1 online resource (xxviii, 570 pages): illustrations. |
| 총서사항 : | Contemporary approaches to film and media series |
| 일반주기 : | "This new edition ... adds five essays on more recent films"--Back cover. |
| 서지주기 : | Includes bibliographical references and index. |
| 내용주기 : | The filmmaker as hunter : Robert Flaherty's Nanook of the north / William Rothman -- "Peace between man and machine" : Dziga Vertov's Man with a movie camera / Seth Feldman -- Paradise regained : Sergei Eisenstein's Que viva México! as ethnography / Joanne Hershfield -- Synthetic vision : the dialectical imperative of Luis Buñuel's Las hurdes / Vivian Sobchack -- The art of national projection : Basil Wright's Song of Ceylon / William Guynn -- The mass psychology of fascist cinema : Leni Riefenstahl's Triumph of the will / Frank P. Tomasulo -- American documentary finds its voice : persuasion and expression in The plow that broke the plains and the city / Charlie Keil -- "Men cannot act before the camera in the presence of death" : Joris Ivens's The Spanish earth / Thomas Waugh -- The poetics of propaganda : Humphrey Jennings and Listen to Britain / Jim Leach -- "It was an atrocious film" : Georges Franju's Blood of the beasts / Jeannette Sloniowski -- The "dialogic imagination" of Jean Rouch : covert conversations in Les maîtres fous / Diane Scheinman -- Documenting the ineffable : terror and memory in Alain Resnais's Night and fog / Sandy Flitterman-Lewis -- Making the past present : Peter Watkins's Culloden / John R. Cook -- "Don't you ever just watch?" : American cinema verité and Dont look back / Jeanne Hall -- "Ethnography in the first person" : Frederick Wiseman's Titicut follies / Barry Keith Grant -- The two avant-gardes : Solanas and Getino's The hour of the furnaces / Robert Stam -- Seeing with experimental eyes : Stan Brakhage's The act of seeing with one's own eyes / Bart Testa -- "A bastard union of several forms" : style and narrative in An American family / Jeffrey K. Ruoff -- The documentary of displaced persona : Michael Rubbo's Daisy, the story of a facelift / Joan Nicks -- Gender, power, and a cucumber : satirizing masculinity in This is spinal tap / Carl Plantinga -- Documentary film and the discourse of hysterical/historical narrative : Ross McElwee's Sherman's march / Lucy Fischer -- Subjectivity lost and found : Bill Viola's I do not know what it is I am like / Catherine Russell -- Mirrors without memories : truth, history, and The thin blue line / Linda Williams -- Documentaphobia and mixed modes : Michael Moore's Roger & me / Matthew Bernstein -- Silence and its opposite : expressions of race in Tongues untied / Sheila Petty -- Containing fire : performance in Paris is burning / Caryl Flinn -- Contested territory : Camille Billops and James Hatch's Finding Christa / Julia Lesage -- Spike Lee's 4 little girls : the politics of the documentary interview / Paula J. Massood -- The gleaners and "us" : the radical modesty of Agnès Varda's Les glaneurs et la glaneuse / Virginia Bonner -- "You must never listen to this" : lessons on sound, cinema, and mortality from Werner Herzog's Grizzly man / David T. Johnson -- Cultural learnings of Borat for make benefit glorious study of documentary / Leshu Torchin. |
| 요약 : | Anthology of essays on the artistic and persuasive aspects of documentary film from a range of critical viewpoints. |
| 일반주제명 : | Documentary films -- History and criticism. -- |
| 일반주제명 : | LANGUAGE ARTS & DISCIPLINES -- Journalism. -- |
| 일반주제명 : | Documentary films. -- |
| 일반주제명 : | Documentary films -- History and criticism. -- |
| 개인저자 : | Grant, Barry Keith, 1947-, editor. |
| 개인저자 : | Sloniowski, Jeannette, 1946-, editor. |
| 개인저자 : | Nichols, Bill, 1942-, writer of supplementary textual content. |
| 기타형태 저록 : | Print version: Documenting the documentary, 9780814339718 |
| 언어 | 영어 |
| URL : |
|---|
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