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▼a 884547515
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▼a Thompson, Katrina Dyonne,
▼e author.
▼a Ring shout, wheel about:
▼b the racial politics of music and dance in North American slavery /:
▼c Katrina Dyonne Thompson.
▼a Urbana [Illinois] :
▼b University of Illinois Press,
▼c 2014.
▼c ©2014
▼a 1 online resource (257 pages).
▼a text
▼b txt
▼2 rdacontent
▼a computer
▼b c
▼2 rdamedia
▼a online resource
▼b cr
▼2 rdacarrier
▼a New Black Studies Series
▼a Includes index.
▼a Includes bibliographical references and index.
▼a The script : "Africa was but a blank canvas for Europe's imagination" -- Casting : "They sang their home-songs, and danced, each with his free foot slapping the deck" -- Onstage : "Dance you damned niggers, dance" -- Backstage : "White folks do as they please, and the darkies do as they can" -- Advertisement : "Dancing through the Streets and act lively" -- Same script, different actors : "Eb'ry time I weel about, I jump Jim Crow" -- Epilogue : the show must go on -- --
▼a "In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved. As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion. Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots"--
▼c Provided by publisher.
▼a Text in English.
▼a Print verison record.
▼a eBooks on EBSCOhost
▼b All EBSCO eBooks
▼a Slaves
▼z Southern States
▼v Songs and music.
▼a Slaves
▼z United States
▼x Social life and customs.
▼a Race in the theater
▼z United States
▼x History.
▼a Theater and society
▼z United States
▼x History.
▼a African American dance
▼x History.
▼a Slavery
▼z United States
▼x Justification.
▼a Plantation life
▼z United States.
▼a Racism in popular culture
▼z United States
▼x History.
▼a Theater and society
▼z United States
▼x History.
▼a SOCIAL SCIENCE
▼x Ethnic Studies
▼x African American Studies.
▼2 bisacsh
▼a PERFORMING ARTS
▼x Dance
▼x General.
▼2 bisacsh
▼a HISTORY
▼z United States
▼x 19th Century.
▼2 bisacsh
▼a SOCIAL SCIENCE
▼x Customs & Traditions.
▼2 bisacsh
▼a African American dance.
▼2 fast
▼0 (OCoLC)fst00799132
▼a Plantation life.
▼2 fast
▼0 (OCoLC)fst01065779
▼a Race in the theater.
▼2 fast
▼0 (OCoLC)fst01744919
▼a Racism in popular culture.
▼2 fast
▼0 (OCoLC)fst01086660
▼a Slavery
▼x Justification.
▼2 fast
▼0 (OCoLC)fst01120462
▼a Slaves.
▼2 fast
▼0 (OCoLC)fst01120522
▼a Slaves
▼x Social life and customs.
▼2 fast
▼0 (OCoLC)fst01120581
▼a Theater and society.
▼2 fast
▼0 (OCoLC)fst01149315
▼a Southern States.
▼2 fast
▼0 (OCoLC)fst01244550
▼a United States.
▼2 fast
▼0 (OCoLC)fst01204155
▼a Electronic books.
▼a History.
▼2 fast
▼0 (OCoLC)fst01411628
▼a Music.
▼2 fast
▼0 (OCoLC)fst01423855
▼a Electronic books.
▼i Print version:
▼a Thompson, Katrina Dyonne.
▼t Ring shout, wheel about : the racial politics of music and dance in North American slavery.
▼d Urbana, [Illinois] : University of Illinois Press, ©2014
▼h x, 242 pages
▼k New Black studies.,
▼z 9780252038259
▼a New Black studies series.
▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=816323
▼a EBL - Ebook Library
▼b EBLB
▼n EBL3414368
▼a ebrary
▼b EBRY
▼n ebr10901916
▼a EBSCOhost
▼b EBSC
▼n 816323
▼a Ingram Digital eBook Collection
▼b IDEB
▼n cis28680262
▼a Project MUSE
▼b MUSE
▼n muse32434
▼a YBP Library Services
▼b YANK
▼n 11999660
▼a 강리원
▼a eBook
▼a 92
▼b KRKUC
| 자료유형 : | eBook |
|---|---|
| ISBN : | 9780252096112 |
| ISBN : | 0252096118 |
| ISBN : | |
| ISBN : | |
| ISBN : | |
| ISBN : | |
| ISBN : | |
| ISBN : | |
| 개인저자 : | Thompson, Katrina Dyonne, author. |
| 서명/저자사항 : | Ring shout, wheel about: the racial politics of music and dance in North American slavery /: Katrina Dyonne Thompson. |
| 발행 : | Urbana [Illinois] : University of Illinois Press, 2014. |
| 저작권표시연도 : | ©2014 |
| 형태사항 : | 1 online resource (257 pages). |
| 총서사항 : | New Black Studies Series |
| 일반주기 : | Includes index. |
| 서지주기 : | Includes bibliographical references and index. |
| 내용주기 : | The script : "Africa was but a blank canvas for Europe's imagination" -- Casting : "They sang their home-songs, and danced, each with his free foot slapping the deck" -- Onstage : "Dance you damned niggers, dance" -- Backstage : "White folks do as they please, and the darkies do as they can" -- Advertisement : "Dancing through the Streets and act lively" -- Same script, different actors : "Eb'ry time I weel about, I jump Jim Crow" -- Epilogue : the show must go on -- -- |
| 요약 : | "In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved. As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion. Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots"-- Provided by publisher. |
| 일반주제명 : | Slaves -- Southern States -- Songs and music. -- |
| 일반주제명 : | Slaves -- United States -- Social life and customs. -- |
| 일반주제명 : | Race in the theater -- United States -- History. -- |
| 일반주제명 : | Theater and society -- United States -- History. -- |
| 일반주제명 : | African American dance -- History. -- |
| 일반주제명 : | Slavery -- United States -- Justification. -- |
| 일반주제명 : | Plantation life -- United States. -- |
| 일반주제명 : | Racism in popular culture -- United States -- History. -- |
| 일반주제명 : | Theater and society -- United States -- History. -- |
| 일반주제명 : | SOCIAL SCIENCE -- Ethnic Studies -- African American Studies. -- |
| 일반주제명 : | PERFORMING ARTS -- Dance -- General. -- |
| 일반주제명 : | HISTORY -- United States -- 19th Century. -- |
| 일반주제명 : | SOCIAL SCIENCE -- Customs & Traditions. -- |
| 일반주제명 : | African American dance. -- |
| 일반주제명 : | Plantation life. -- |
| 일반주제명 : | Race in the theater. -- |
| 일반주제명 : | Racism in popular culture. -- |
| 일반주제명 : | Slavery -- Justification. -- |
| 일반주제명 : | Slaves. -- |
| 일반주제명 : | Slaves -- Social life and customs. -- |
| 일반주제명 : | Theater and society. -- |
| 주제명(지명) : | Southern States. fast |
| 주제명(지명) : | United States. fast |
| 기타형태 저록 : | Print version: Thompson, Katrina Dyonne. Ring shout, wheel about : the racial politics of music and dance in North American slavery. Urbana, [Illinois] : University of Illinois Press, ©2014 x, 242 pages New Black studies., 9780252038259 |
| 언어 | 영어 |
| URL : |
|---|
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