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  150311s2015 enka o 001 0 eng d

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  ▼a  905993219
  ▼a  908046471

• 020

  ▼a  9781472522641
  ▼q  electronic bk.

• 020

  ▼a  1472522648
  ▼q  electronic bk.

• 020

  ▼z  9781408185469

• 020

  ▼z  1408185466

• 020

  ▼z  9781408184905

• 035

  ▼a  (OCoLC)904694978
  ▼z  (OCoLC)905993219
  ▼z  (OCoLC)908046471

• 040

  ▼a  N$T
  ▼b  eng
  ▼e  rda
  ▼e  pn
  ▼c  N$T
  ▼d  IDEBK
  ▼d  E7B
  ▼d  YDXCP
  ▼d  EBLCP
  ▼d  248023

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  ▼a  PN2061
  ▼b  .B75 2015eb

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  ▼a  PER
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  ▼a  792.02/8
  ▼2  23

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  ▼a  PER001000
  ▼2  bisacsh

• 100

  ▼a  Britten, Bill,
  ▼e  author

• 245

  ▼a  From stage to screen:
  ▼b  a theatre actor's guide to working on camera /:
  ▼c  Bill Britten.

• 264

  ▼a  London, UK ;
  ▼a  New York :
  ▼b  Bloomsbury Methuen Drama,
  ▼c  2015.

• 300

  ▼a  1 online resource (vii, 237 pages):
  ▼b  illustrations.

• 336

  ▼a  text
  ▼b  txt
  ▼2  rdacontent

• 337

  ▼a  computer
  ▼b  c
  ▼2  rdamedia

• 338

  ▼a  online resource
  ▼b  cr
  ▼2  rdacarrier

• 500

  ▼a  Includes index.

• 505

  ▼a  Title Page; Copyright Page; CONTENTS; ACKNOWLEDGEMENTS; FOREWORD; INTRODUCTION; Chapter 1 LET'S PRETEND; Acting is easy; Acting is difficult; The intellectual actor; Developing yourself; Emotional intelligence; Chapter 2 THE BIG DIFFERENCES; The similarities; The differences; Section 1 -- SHOWING, SHARING AND THE INNER WORLD; Chapter 3 SHOWING AND SHARING; The act of observing changes the thing that's being observed; Showing; Where's your attention?; Don't just do something, stand there; Chapter 4 THE INNER WORLD; The close-up and the inner monologue; Chapter 5 LISTENING.

• 505

  ▼a  Listening and the inner worldPoint of attention; Spontaneity; Chapter 6 COMMITMENT; Creating the imaginary world; Commitment; Section 2 -- MAKE THE SHOT WORK; Chapter 7 FILMING -- THE BIG PICTURE; Development (and pre-pre-production); Three phases of production; Pre-production; Post-production; Production; Meeting the schedule; Collaboration; Practice; Chapter 8 UNDERSTANDING THE SHOTS; Single versus multi-camera shooting; What do I need to know about the shots and camera terminology?; Chapter 9 GLOSSARY OF SHOTS; Master; Wide/Mid/Close; Single; Dirty/Clean; 2 Shot; Tracking shot; Coverage.

• 505

  ▼a  Set-upsReverse; Slate; Working with technophile/geek actors; Chapter 10 HITTING MARKS; Marks; Focus; Putting down marks; How to hit your marks; The soft bag; The real challenge; Practice; Chapter 11 OVERLAPS; Why overlaps matter; Chapter 12 CONTINUITY; Why continuity matters; Movement drives the cut; How to manage your continuity; Emotional continuity; Practice; Chapter 13 POSITIONING YOURSELF FOR THE CAMERA; Opposing singles; Finding the camera; Reverses; Standing up and sitting down; Chapter 14 THE VOICE; Projection; Mumbling; Chapter 15 FACIAL AWARENESS; Facial awareness; Eye movement.

• 505

  ▼a  BlinkingAround the eyes; Eye contact; The mouth and the jaw; Swallowing; Using this awareness; Chapter 16 PLAYING THE CAMERA; The doughnut; Eye movement; Knowing and not-knowing; Looking down; Lateral eye movement; Repeated eye movements; Chapter 17 LOVING THE CAMERA; Loving the camera; Section 3 -- DOING IT; Chapter 18 GETTING THE JOB; Castings; Improving the odds; In the room; Filming yourself for castings; Chapter 19 PREPARATION; Creating a character; Chapter 20 BODY HEAT -- PLOT SYNOPSIS; Chapter 21 PREPARING TEDDY; Start with the facts; Assumptions; Creating a past; Make it relevant.

• 505

  ▼a  Shared historyWhat happened today?; What do you want?; Chapter 22 PREPARING THE TEXT; Learning the lines; Delivering the lines; Parentheses; Subtext and inter-text; Subtext and inter-text in Body Heat; Out there to in here and back again; Teddy's second scene; Chapter 23 MAPPING; Larger parts; Summarize the scenes; Asking the right questions; Chapter 24 THE READTHROUGH; Chapter 25 AT THE SHOOT; Getting there; The call sheet; Arriving at the set or location; Your scene partner(s); Waiting, waiting, waiting; Preparing yourself; Phones; Chapter 26 WHO'S WHO IN THE CREW.

• 520

  ▼a  "From Stage to Screen is a handbook for the professional actor packed with advice on how to make the transition and fully prepare for a TV or film role"--
  ▼c  Provided by publisher.

• 588

  ▼a  Print version record.

• 590

  ▼a  eBooks on EBSCOhost
  ▼b  All EBSCO eBooks

• 650

  ▼a  Acting.

• 650

  ▼a  PERFORMING ARTS / Acting & Auditioning.
  ▼2  bisacsh

• 650

  ▼a  Acting.
  ▼2  fast
  ▼0  (OCoLC)fst00796146

• 650

  ▼a  PERFORMING ARTS / Theater / General
  ▼2  bisacsh

• 650

  ▼a  Acting
  ▼x  History.

• 650

  ▼a  Acting.

• 650

  ▼a  Performing arts
  ▼x  Acting & auditioning.

• 655

  ▼a  Electronic books.

• 655

  ▼a  Electronic books.

• 776

  ▼i  Print version:
  ▼a  Britten, Bill, author.
  ▼t  From stage to screen,
  ▼z  9781408185469
  ▼w  (DLC) 2014009098
  ▼w  (OCoLC)881848412

• 856

  ▼u  http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=964302

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  ▼a  EBSCOhost
  ▼b  EBSC
  ▼n  964302

• 938

  ▼a  Ingram Digital eBook Collection
  ▼b  IDEB
  ▼n  cis31168063

• 938

  ▼a  ebrary
  ▼b  EBRY
  ▼n  ebr11033077

• 938

  ▼a  YBP Library Services
  ▼b  YANK
  ▼n  12332056

• 938

  ▼a  EBL - Ebook Library
  ▼b  EBLB
  ▼n  EBL1991945

• 990

  ▼a  강리원

• 991

  ▼a  eBook

• 994

  ▼a  92
  ▼b  KRKUC