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  160420s2016 onc ob 001 0 eng d

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  ▼a  950464988

• 020

  ▼a  9781442669529
  ▼q  (electronic bk.)

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  ▼a  1442669527
  ▼q  (electronic bk.)

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  ▼a  9781442669536
  ▼q  (electronic bk.)

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  ▼a  1442669535
  ▼q  (electronic bk.)

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  ▼z  9781442647916

• 020

  ▼z  1442647914

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  ▼a  AU@
  ▼b  000058758943

• 035

  ▼a  (OCoLC)947000182
  ▼z  (OCoLC)950464988

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  ▼a  136AC774-8A27-4208-B039-1EC764FCDCD7
  ▼b  OverDrive, Inc.
  ▼n  http://www.overdrive.com

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  ▼a  N$T
  ▼b  eng
  ▼e  rda
  ▼e  pn
  ▼c  N$T
  ▼d  OCLCO
  ▼d  YDXCP
  ▼d  N$T
  ▼d  CELBN
  ▼d  CCO
  ▼d  EBLCP
  ▼d  TEFOD
  ▼d  OCL
  ▼d  OCLCQ
  ▼d  248023

• 050

  ▼a  PR428.P68
  ▼b  H83 2016

• 055

  ▼a  PR428 P68
  ▼b  H83 2016

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  ▼a  LIT
  ▼x  004120
  ▼2  bisacsh

• 082

  ▼a  820.9/003
  ▼2  23

• 100

  ▼a  Huebert, Ronald,
  ▼d  1946-,
  ▼e  author.

• 245

  ▼a  Privacy in the age of Shakespeare:
  ▼b  evolving relationships in a changing environment /:
  ▼c  Ronald Huebert.

• 264

  ▼a  Toronto :
  ▼b  University of Toronto Press,
  ▼c  2016.

• 300

  ▼a  1 online resource.

• 336

  ▼a  text
  ▼b  txt
  ▼2  rdacontent

• 337

  ▼a  computer
  ▼b  c
  ▼2  rdamedia

• 338

  ▼a  online resource
  ▼b  cr
  ▼2  rdacarrier

• 504

  ▼a  Includes bibliographical references and index.

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  ▼a  Preface -- Bibliographical Note -- Introduction Privacy: The Early Social History of a Word -- Chapter 1. Invasions of Privacy in Shakespeare -- Chapter 2. Private Devotions -- Chapter 3. Voyeurism -- Chapter 4. The Commonplace Book and the Private Self -- Chapter 5. Privacy and Gender -- Chapter 6. Privacy in Paradise -- Chapter 7. Privacy and Dissidence -- Chapter 8. 'A Fine and Private Place': Andrew Marvell -- Conclusion.

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  ▼a  "For at least a generation, scholars have asserted that privacy barely existed in the early modern era. The divide between the public and private was vague, they say, and the concept, if it was acknowledged, was rarely valued. In Privacy in the Age of Shakespeare, Ronald Huebert challenges these assumptions by marshalling evidence that it was in Shakespeare's time that the idea of privacy went from a marginal notion to a desirable quality. The era of transition begins with More's Utopia (1516), in which privacy is forbidden. It ends with Milton's Paradise Lost (1667), in which privacy is a good to be celebrated. In between come Shakespeare's plays, paintings by Titian and Vermeer, devotional manuals, autobiographical journals, and the poetry of George Herbert and Robert Herrick, all of which Huebert carefully analyses in order to illuminate the dynamic and emergent nature of early modern privacy."--
  ▼c  Provided by publisher.

• 588

  ▼a  Print version record.

• 590

  ▼a  eBooks on EBSCOhost
  ▼b  All EBSCO eBooks

• 648

  ▼a  1500-1700
  ▼2  fast

• 650

  ▼a  English literature
  ▼y  Early modern, 1500-1700
  ▼x  History and criticism.

• 650

  ▼a  Privacy in literature.

• 650

  ▼a  English literature
  ▼x  Early modern.
  ▼2  fast
  ▼0  (OCoLC)fst01710960

• 650

  ▼a  Privacy in literature.
  ▼2  fast
  ▼0  (OCoLC)fst01077443

• 650

  ▼a  LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
  ▼2  bisacsh

• 655

  ▼a  Criticism, interpretation, etc.
  ▼2  fast
  ▼0  (OCoLC)fst01411635

• 655

  ▼a  Electronic books.

• 776

  ▼i  Print version:
  ▼a  Huebert, Ronald, 1946-
  ▼t  Privacy in the age of Shakespeare.
  ▼d  Toronto : University of Toronto Press, 2016,
  ▼z  9781442647916
  ▼w  (OCoLC)928679207

• 856

  ▼u  http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1221995

• 938

  ▼a  EBSCOhost
  ▼b  EBSC
  ▼n  1221995

• 938

  ▼a  YBP Library Services
  ▼b  YANK
  ▼n  12954168

• 938

  ▼a  Canadian Electronic Library
  ▼b  CELB
  ▼n  11209264

• 938

  ▼a  EBL - Ebook Library
  ▼b  EBLB
  ▼n  EBL4515675

• 990

  ▼a  강리원

• 991

  ▼a  eBook

• 994

  ▼a  92
  ▼b  KRKUC