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• 019

  ▼a  1155521730
  ▼a  1155924961
  ▼a  1157962907

• 020

  ▼a  9780190051228

• 020

  ▼a  0190051221

• 020

  ▼z  9780190051204

• 020

  ▼a  9780190051235 (ebook)

• 020

  ▼a  019005123X (ebook)

• 020

  ▼z  0190051205

• 020

  ▼a  9780190051211
  ▼q  (electronic bk.)

• 020

  ▼a  0190051213
  ▼q  (electronic bk.)

• 035

  ▼a  2398801
  ▼b  (N$T)

• 035

  ▼a  (OCoLC)1147258366
  ▼z  (OCoLC)1155521730
  ▼z  (OCoLC)1155924961
  ▼z  (OCoLC)1157962907

• 040

  ▼a  EBLCP
  ▼b  eng
  ▼c  EBLCP
  ▼d  UKOUP
  ▼d  OCLCF
  ▼d  OCLCQ
  ▼d  EBLCP
  ▼d  OCLCQ
  ▼d  248023
  ▼d  OCLCO
  ▼d  STF
  ▼d  IUL
  ▼d  AU@
  ▼d  N$T
  ▼d  UIU
  ▼d  YDX
  ▼e  pn
  ▼e  rda

• 049

  ▼a  MAIN

• 050

  ▼a  ML2054

• 082

  ▼a  782.14
  ▼2  23

• 100

  ▼a  Lindberg, Julianne,
  ▼e  author.

• 245

  ▼a  Pal Joey:
  ▼b  the history of a heel /
  ▼c  Julianne Lindberg.

• 260

  ▼a  New York, NY:
  ▼b  Oxford University Press,
  ▼c  [2020].

• 300

  ▼a  1 online resource (287 pages):
  ▼b  illustrations.

• 336

  ▼a  text
  ▼b  txt
  ▼2  rdacontent

• 337

  ▼a  computer
  ▼b  c
  ▼2  rdamedia

• 338

  ▼a  online resource
  ▼b  cr
  ▼2  rdacarrier

• 490

  ▼a  Broadway Legacies Series

• 504

  ▼a  Includes bibliographical references and index.

• 505

  ▼a  Introduction: "a foul well" -- O'Hara, the heel: from short story to script -- Rodgers and Hart's boldest venture: working relationships and collaborative processes -- Digging for dirt: inside the club -- I could write a book (musical): the book numbers -- The women of Pal Joey -- Joey dances -- History of a heel: the 1952 revival -- Pal Joey goes to Hollywood.

• 520

  ▼a  "The History of a Heel chronicles the genesis, influence, and significance of Rodgers and Hart's classic musical comedy Pal Joey (1940). When Pal Joey opened at the Barrymore on Christmas day, 1940, it flew in the face of musical comedy convention. The characters and situation were depraved. The setting was caustically realistic. Its female lead was frankly sexual and yet not purely comic. A narratively-driven dream ballet closed the first act, begging audiences to take seriously the inner life and desires of a confirmed heel. Although the show appears on many top-ten lists surveying the so-called "Golden Age," it is a controversial classic; its legacy is tied both to the fashionable scandal that it provoked, and, retrospectively, to the uncommon attention it paid to characterization and narrative cohesion. Through an archive-driven investigation of the show and its music, History of a Heel offers insight into the historical moment during which Joey was born, and to the process of genre classification, canon formation, and the ensuing critical debates related to musical and theatrical maturity. More broadly, I argue that the critique and commentary on class and gender conventions in Pal Joey reveals a uniquely American concern over status, class mobility, and progressive gender roles in the pre-war eraThe History of a Heel chronicles the genesis, influence, and significance of Rodgers and Hart's classic musical comedy Pal Joey (1940). When Pal Joey opened at the Barrymore on Christmas day, 1940, it flew in the face of musical comedy convention. The characters and situation were depraved. The setting was caustically realistic. Its female lead was frankly sexual and yet not purely comic. A narratively-driven dream ballet closed the first act, begging audiences to take seriously the inner life and desires of a confirmed heel. Although the show appears on many top-ten lists surveying the so-called "Golden Age," it is a controversial classic; its legacy is tied both to the fashionable scandal that it provoked, and, retrospectively, to the uncommon attention it paid to characterization and narrative cohesion. Through an archive-driven investigation of the show and its music, History of a Heel offers insight into the historical moment during which Joey was born, and to the process of genre classification, canon formation, and the ensuing critical debates related to musical and theatrical maturity. More broadly, I argue that the critique and commentary on class and gender conventions in Pal Joey reveals a uniquely American concern over status, class mobility, and progressive gender roles in the pre-war era"--Publisher's description.

• 588

  ▼a  Description based on online resource; title from web page (Oxford Scholarship Online, viewed on July 15, 2020).

• 590

  ▼a  OCLC control number change

• 600

  ▼a  Rodgers, Richard,
  ▼d  1902-1979.
  ▼t  Pal Joey.

• 650

  ▼a  Musicals
  ▼x  History and criticism.

• 650

  ▼a  Musicals.
  ▼2  fast
  ▼0  (OCoLC)fst01030814

• 655

  ▼a  Electronic books.

• 655

  ▼a  Criticism, interpretation, etc.
  ▼2  fast
  ▼0  (OCoLC)fst01411635

• 776

  ▼i  Print version:
  ▼a  Lindberg, Julianne.
  ▼t  Pal Joey.
  ▼d  New York, NY : Oxford University Press, [2020],
  ▼z  0190051205
  ▼w  (OCoLC)1137811062

• 830

  ▼a  Broadway legacies.

• 856

  ▼3  EBSCOhost
  ▼u  https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2398801

• 938

  ▼a  Oxford University Press USA
  ▼b  OUPR
  ▼n  EDZ0002217449

• 938

  ▼a  ProQuest Ebook Central
  ▼b  EBLB
  ▼n  EBL6141254

• 938

  ▼a  EBSCOhost
  ▼b  EBSC
  ▼n  2398801

• 938

  ▼a  YBP Library Services
  ▼b  YANK
  ▼n  301181606

• 990

  ▼a  최영란

• 991

  ▼a  eBook

• 994

  ▼a  92
  ▼b  N$T