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▼a GBC024907
▼2 bnb
▼a 019626398
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▼a 1129022627
▼a 1139726199
▼a 9781527543553
▼a 1527543552
▼z 1527540227
▼z 9781527540224
▼a 2316960
▼b (N$T)
▼a (OCoLC)1129219227
▼z (OCoLC)1129022627
▼z (OCoLC)1139726199
▼a 9781527543553
▼b Cambridge Scholars Publishing
▼a EBLCP
▼b eng
▼c EBLCP
▼d OCLCO
▼d STF
▼d OCLCQ
▼d UKMGB
▼d YDX
▼d UKAHL
▼d OCL
▼d 248023
▼d N$T
▼e pn
▼a MAIN
▼a ML3849
▼b .J87 2019
▼a 780/.07
▼2 23
▼a Jurečič, Bostjan.
▼a A Study of the Parallels Between Visual Art and Music:
▼b the Big Misconception.
▼a Newcastle-upon-Tyne:
▼b Cambridge Scholars Publisher,
▼c 2019.
▼a 1 online resource (147 pages).
▼a text
▼b txt
▼2 rdacontent
▼a computer
▼b c
▼2 rdamedia
▼a online resource
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▼a Includes bibliographical references.
▼a Introduction -- Part I. Apparatus -- Part II. Parallels -- Part III. Reflections.
▼a Standard surveys of 20th century visual art imply that there is a continuity between, say, Rembrandt and Koons, between Caravaggio and Hirst. Even the sharp critics of artists who dominate the contemporary art scene, such as Warhol, Hirst, Ai Weiwei and countless others, imply such a continuity. They are all wrong. There is no such continuity, or, more precisely, it is only very weak, at best. This book explains why and how the claims regarding this continuity are false, and how we arrived at this point of great confusion about the arts.
▼a Print version record.
▼a OCLC control number change
▼a 1900-1999
▼2 fast
▼a Art and music.
▼a Art criticism
▼y 20th century.
▼a Art criticism.
▼2 fast
▼0 (OCoLC)fst00815492
▼a Art and music.
▼2 fast
▼0 (OCoLC)fst00815413
▼a Art criticism.
▼2 fast
▼0 (OCoLC)fst02003312
▼a Electronic books.
▼a Art criticism.
▼2 lcgft
▼i Print version:
▼a Jurečič, Bostjan.
▼t A Study of the Parallels Between Visual Art and Music : The Big Misconception.
▼d Newcastle-upon-Tyne : Cambridge Scholars Publisher, ©2019,
▼z 9781527540224
▼a NA000000
▼b 00000140
▼3 EBSCOhost
▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2316960
▼a Askews and Holts Library Services
▼b ASKH
▼n AH37033070
▼a ProQuest Ebook Central
▼b EBLB
▼n EBL5983562
▼a YBP Library Services
▼b YANK
▼n 300968604
▼a EBSCOhost
▼b EBSC
▼n 2316960
▼a 최영란
▼a eBook
▼a 92
▼b N$T
| 자료유형 : | eBook |
|---|---|
| ISBN : | 9781527543553 |
| ISBN : | 1527543552 |
| ISBN : | |
| ISBN : | |
| 개인저자 : | Jurečič, Bostjan. |
| 서명/저자사항 : | A Study of the Parallels Between Visual Art and Music: the Big Misconception. |
| 발행사항 : | Newcastle-upon-Tyne: Cambridge Scholars Publisher, 2019. |
| 형태사항 : | 1 online resource (147 pages). |
| 서지주기 : | Includes bibliographical references. |
| 내용주기 : | Introduction -- Part I. Apparatus -- Part II. Parallels -- Part III. Reflections. |
| 요약 : | Standard surveys of 20th century visual art imply that there is a continuity between, say, Rembrandt and Koons, between Caravaggio and Hirst. Even the sharp critics of artists who dominate the contemporary art scene, such as Warhol, Hirst, Ai Weiwei and countless others, imply such a continuity. They are all wrong. There is no such continuity, or, more precisely, it is only very weak, at best. This book explains why and how the claims regarding this continuity are false, and how we arrived at this point of great confusion about the arts. |
| 일반주제명 : | Art and music. -- |
| 일반주제명 : | Art criticism -- 20th century. -- |
| 일반주제명 : | Art criticism. -- |
| 일반주제명 : | Art and music. -- |
| 기타형태 저록 : | Print version: Jurečič, Bostjan. A Study of the Parallels Between Visual Art and Music : The Big Misconception. Newcastle-upon-Tyne : Cambridge Scholars Publisher, ©2019, 9781527540224 |
| 언어 | 영어 |
| URL : |
|---|
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