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  ▼a  Southern identity and southern estrangement in medieval Chinese poetry /:
  ▼c  edited by Ping Wang and Nicholas Morrow Williams.

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  ▼a  Hong Kong :
  ▼b  Hong Kong University Press,
  ▼c  [2015]

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  ▼a  "Most of the essays in this volume were originally presented at the "Poetry and Place" conference held at Princeton University on October 26-27, 2012. The conference was jointly sponsored by the Princeton Institute for International and Regional Studies and Princeton University Council of the Humanities"--Acknowledgments.

• 504

  ▼a  Includes bibliographical references (pages 207-217) and index.

• 505

  ▼a  Acknowledgments; Contributors; 1. Southland as Symbol; 2. Southern Metal and Feather Fan: The "Southern Consciousness" of Lu Ji; 3. Fan Writing: Lu Ji, Lu Yun and the Cultural Transactions between North and South; 4. Plaint, Lyricism, and the South; 5. Farther South: Jiang Yan in Darkest Fujian; 6. The Pity of Spring: A Southern Topos Reimagined by Wang Bo and Li Bai; 7. The Stele and the Drunkard: Two Poetic Allusions from Xiangyang; 8. Jiangnan from the Ninth Century On: The Routinization of Desire; Works Cited; Index.

• 520

  ▼a  From ancient times, China's remote and exotic South-a shifting and expanding region beyond the Yangtze River-has been an enduring theme in Chinese literature. For poets and scholar-officials in medieval China, the South was a barbaric frontier region of alienation and disease. But it was also a place of richness and fascination, and for some a site of cultural triumph over exile. The eight essays in this collection explore how tensions between pride in southern culture and anxiety over the alien qualities of the southern frontier were behind many of the distinctive features of medieval Chinese.

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  ▼a  Williams, Nicholas Morrow,
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