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  ▼a  (OCoLC)1125114646
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  ▼a  e-it---

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  ▼a  N7850
  ▼b  .L33 2019

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  ▼a  709.456320902
  ▼2  23

• 100

  ▼a  Labatt, Annie Montgomery,
  ▼e  author.

• 245

  ▼a  Emerging Iconographies of Medieval Rome:
  ▼b  a Laboratory of Images in the Eighth and Ninth Centuries.

• 260

  ▼b  Lexington Books,
  ▼c  2019.

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  ▼a  1 online resource (367 pages).

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  ▼a  text
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  ▼a  online resource
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  ▼a  Byzantium: A European Empire and Its Legacy

• 505

  ▼a  Cover; Emerging Iconographies of Medieval Rome; Emerging Iconographies of Medieval Rome: A Laboratory of Images in the Eighth and Ninth Centuries; Copyright page; Contents; List of Figures; List of Abbreviations; Acknowledgments; Introduction; Chapter One: The Anastasis; Chapter Two: The Transfiguration; Chapter Three: The Maria Regina; Chapter Four: The Sickness of Hezekiah and its Ensemble; Chapter Five: Contexts and Continuities; Introduction; Notes; Chapter 1; The Anastasis; Notes; Chapter 2; The Transfiguration; Variations in the Mountain-Making Mountains Out of Molehills

• 505

  ▼a  Positioning the Apostles-The San Zeno ChapelPeter's Role as Central Witness-Looking at Christ; The Experience of Transfiguration-Iconoclasm, the Liturgy, and Theosis; Non-canonical Transfigurations-Iconographical Variants; Non-transfigurations and the Fallacy of Prototypes; Roman Transfigurations-Experimentation Not Derivation; Notes; Chapter 3; The Maria Regina; Owning the Maria Regina-Scholarship of East and West; The Attributes of Maria Regina-Pearls and Crowns; The "Catacomb Man"-Marian Devotion and the Maria Regina; Notes; Chapter 4; The Sickness of Hezekiah and Its Ensemble

• 505

  ▼a  Hezekiah in Context-David and the Missing Head of GoliathHezekiah in Context-Judith and the Head of Holofernes; The Ensemble and the Face of Christ; Notes; Chapter 5; Contexts and Continuities; Notes; Bibliography; Index; About the Author

• 520

  ▼a  This study focuses on four different iconographical forms that appeared in Rome during the eighth and ninth centuries. The author analyzes the experimentation and innovation of Christian iconographies and the artistic vibrancy of early medieval Rome before it became divided between East and West.

• 588

  ▼a  Print version record.

• 590

  ▼a  Master record variable field(s) change: 050

• 648

  ▼a  500-1500
  ▼2  fast

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  ▼a  Christian art and symbolism
  ▼z  Italy
  ▼z  Rome
  ▼y  Medieval, 500-1500.

• 650

  ▼a  Christian art and symbolism
  ▼x  Medieval.
  ▼2  fast
  ▼0  (OCoLC)fst01710939

• 651

  ▼a  Italy
  ▼z  Rome.
  ▼2  fast
  ▼0  (OCoLC)fst01204500

• 655

  ▼a  Electronic books.

• 776

  ▼i  Print version:
  ▼a  Labatt, Annie Montgomery.
  ▼t  Emerging Iconographies of Medieval Rome : A Laboratory of Images in the Eighth and Ninth Centuries.
  ▼d  : Lexington Books, ©2019,
  ▼z  9781498571159

• 830

  ▼a  Byzantium (Series : Lanham, Md.)

• 856

  ▼3  EBSCOhost
  ▼u  http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2281653

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  ▼n  AH36506559

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  ▼a  ProQuest Ebook Central
  ▼b  EBLB
  ▼n  EBL5964568

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  ▼a  EBSCOhost
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  ▼n  2281653

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  ▼a  YBP Library Services
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  ▼a  강리원

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  ▼a  eBook

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