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  191022s2020 nyua ob 001 0 eng

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  ▼a  2019048926

• 020

  ▼a  9780190923457
  ▼q  electronic book

• 020

  ▼a  0190923458
  ▼q  electronic book

• 020

  ▼a  019092344X
  ▼q  electronic book

• 020

  ▼a  9780190923440
  ▼q  (electronic bk.)

• 020

  ▼z  9780190923426
  ▼q  hardcover

• 035

  ▼a  2426038
  ▼b  (N$T)

• 035

  ▼a  (OCoLC)1125275390

• 040

  ▼a  DLC
  ▼b  eng
  ▼c  DLC
  ▼d  OCLCF
  ▼d  OCLCO
  ▼d  OCLCQ
  ▼d  EBLCP
  ▼d  YDX
  ▼d  UKOUP
  ▼d  248023
  ▼d  N$T
  ▼e  rda

• 042

  ▼a  pcc

• 049

  ▼a  MAIN

• 050

  ▼a  MT90
  ▼b  .S63 2020

• 082

  ▼a  781.2/50904
  ▼2  23

• 100

  ▼a  Smith, Kenneth M.,
  ▼e  author.

• 245

  ▼a  Desire in chromatic harmony:
  ▼b  a psychodynamic exploration of fin de siècle tonality /
  ▼c  Kenneth M. Smith.

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  ▼a  New York, NY:
  ▼b  Oxford University Press,
  ▼c  [2020].

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  ▼a  1 online resource (xv, 340 pages):
  ▼b  illustrations.

• 336

  ▼a  text
  ▼b  txt
  ▼2  rdacontent

• 337

  ▼a  computer
  ▼b  c
  ▼2  rdamedia

• 338

  ▼a  online resource
  ▼b  cr
  ▼2  rdacarrier

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  ▼a  Oxford studies in music theory

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  ▼a  Includes bibliographical references and index.

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  ▼a  A Linguistic Theory of Chromatic Harmonic Substitution and Progression in the Diatonic Unconscious -- Romantic Provenance -- Transcending Root Motion : Productive Death Drives and Cybernetic Cycles in Charles Ives & Aaron Copland -- Karol Szymanowski's Dominant Drive Model and the Excess of the Cycle -- Tragedy and the Gaze of the Living Dead : Functional Harmonic Rotation in Strauss's Elektra -- The Thanatonic and the Hexatonic : Repetition, Mourning, and "Mother" in Suk's Asrael -- When Octatonic and Hexatonic Collide : Skryabin's Accelerationist Last Piano Sonata -- Epilogue. The Way Forwards (and Backwards)

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  ▼a  "Of the many composers in the Western classical tradition who celebrated the marriage between psyche and sound, those explored in this book followed the lines diverging from Wagner in philosophizing the nature of desire in music. This books offers two new theories of tonal functionality in the music of the first half of the twentieth century that seek to explain its psychological complexities. First, the book further develops Riemann's three diatonic chord functions, extending them to account from chromatic chord progression and substitution. The three functions (Tonic, Subdominant, Dominant) are compared to Jacques Lacan's twin-concepts of metaphor and metonymy which drive the human desiring apparatus. Second, the book develops a technique for analysing the "drives" that pull chromatic music in multiple directions simultaneously, creating a libidinal surface that mirrors the tensions of the psyche found in Schopenhauer, Freud and post-Freudians-Lacan, Lyotard, and Deleuze.The harmonic models are tested in psychologically challenging pieces of music by post-Wagnerian composers. From the obsession with death and mourning in Josef Suk's Asrael Symphony to an exploration of "perversion" in Richard Strauss's Elektra; from the post-Kantian transcendentalism of Charles Ives' Concord Sonata to the "Accelerationism" of Skryabin's late piano works; from the Sufi mysticism of Szymanowski's Song of the Night to the failed fantasy of the American dream in Aaron Copland's The Tender Land, the book cuts a path through the dense forests of chromatic complexity, and digs deep into the psychological make-up of post-Wagnerian psychodynamic music"--
  ▼c  Provided by publisher.

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  ▼a  Description based on online resource; title from digital title page (viewed on May 12, 2020).

• 590

  ▼a  Added to collection customer.56279.3

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  ▼a  1900-1999
  ▼2  fast

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  ▼a  Music
  ▼y  20th century
  ▼x  Analysis, appreciation.

• 650

  ▼a  Desire in music.

• 650

  ▼a  Music
  ▼x  Psychological aspects.

• 650

  ▼a  Harmony.

• 650

  ▼a  Desire in music.
  ▼2  fast
  ▼0  (OCoLC)fst01742207

• 650

  ▼a  Harmony.
  ▼2  fast
  ▼0  (OCoLC)fst00951531

• 650

  ▼a  Music
  ▼x  Psychological aspects.
  ▼2  fast
  ▼0  (OCoLC)fst01030418

• 655

  ▼a  Electronic books.

• 776

  ▼i  Print version:
  ▼a  Smith, Kenneth M..
  ▼t  Desire in chromatic harmony.
  ▼d  New York : Oxford University Press, 2020.,
  ▼z  9780190923426
  ▼w  (DLC) 2019048925

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  ▼a  Oxford studies in music theory.

• 856

  ▼3  EBSCOhost
  ▼u  https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2426038

• 938

  ▼a  Oxford University Press USA
  ▼b  OUPR
  ▼n  EDZ0002266082

• 938

  ▼a  ProQuest Ebook Central
  ▼b  EBLB
  ▼n  EBL6154532

• 938

  ▼a  EBSCOhost
  ▼b  EBSC
  ▼n  2426038

• 990

  ▼a  최영란

• 991

  ▼a  eBook

• 994

  ▼a  92
  ▼b  N$T