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  190701s2019 inu ob 001a eng

• 010

  ▼a  2019027941

• 019

  ▼a  1119583402
  ▼a  1119659476

• 020

  ▼a  0253042291

• 020

  ▼a  9780253042293
  ▼q  (electronic bk.)

• 020

  ▼z  9780253042255
  ▼q  (hardback)

• 020

  ▼z  9780253042262
  ▼q  (paperback)

• 035

  ▼a  2246697
  ▼b  (N$T)

• 035

  ▼a  (OCoLC)1107804577
  ▼z  (OCoLC)1119583402
  ▼z  (OCoLC)1119659476

• 037

  ▼a  22573/ctvp87wxr
  ▼b  JSTOR

• 040

  ▼a  DLC
  ▼b  eng
  ▼c  DLC
  ▼d  OCLCF
  ▼d  OCLCO
  ▼d  EBLCP
  ▼d  JSTOR
  ▼d  YDX
  ▼d  N$T
  ▼d  248023
  ▼e  rda

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  ▼a  pcc

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  ▼a  MAIN

• 050

  ▼a  PJ5029

• 082

  ▼a  892.43/0872909
  ▼2  23

• 100

  ▼a  Grumberg, Karen,
  ▼e  author.

• 245

  ▼a  Hebrew gothic
  ▼h  [electronic resource]:
  ▼b  history and the poetics of persecution/
  ▼d  Karen Grumberg.

• 260

  ▼a  Bloomington:
  ▼b  Indiana University Press,
  ▼c  2019.

• 263

  ▼a  1909

• 300

  ▼a  1 online resource.

• 336

  ▼a  text
  ▼b  txt
  ▼2  rdacontent

• 337

  ▼a  computer
  ▼b  n
  ▼2  rdamedia

• 338

  ▼a  online resource
  ▼b  nc
  ▼2  rdacarrier

• 490

  ▼a  Jewish literature and culture

• 504

  ▼a  Includes bibliographical references and index.

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  ▼a  Introduction: Gothic Matters -- Always Already Gothic: S. Y. Agnon's Tales of Terror and the Spectral European Jewish Past -- Maternal Macabre: Feminine Subjectivity at the Edge of the Shtetl in Dvora Baron and Jacob Steinberg -- After the Nightmare of the Holocaust: Gothic Temporalities and the Insecure Sanctuary in Lea Goldberg's "The Lady of the Castle" and Edgar Allan Poe's "The Masque of the Red Death" -- Dark Jerusalem: Amos Oz's Anxious Literary Cartography Between 1948 and -- Historiographic Perversions: Echoes of Otranto in A. B. Yehoshua's Mr. Mani -- A Séance for the Self: Memory, Non-Memory and the Re-Orientation of History in Almog Behar and Toni Morrison -- Coda: "Here are our monsters": Hebrew Horror from the Political to Pop

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  ▼a  "Sinister tales written since the early 20th century by the foremost Hebrew authors, including S. Y. Agnon, Leah Goldberg, and Amos Oz, reveal a darkness at the foundation of Hebrew culture. The ghosts of a murdered Talmud scholar and his kidnapped bride rise from their graves for a nocturnal dance of death; a girl hidden by a count in a secret chamber of an Eastern European castle emerges to find that, unbeknownst to her, World War II ended years earlier; a man recounts the act of incest that would shape a trajectory of personal and national history. Reading these works together with central British and American gothic texts, Karen Grumberg illustrates that modern Hebrew literature has regularly appropriated key gothic ideas to help conceptualize the Jewish relationship to the past and, more broadly, to time. She explores why these authors were drawn to the gothic, originally a European mode associated with antisemitism, and how they use it to challenge assumptions about power and powerlessness, vulnerability and violence, and to shape modern Hebrew culture. Grumberg provides an original perspective on Hebrew literary engagement with history and sheds new light on the tensions that continue to characterize contemporary Israeli cultural and political rhetoric"--
  ▼c  Provided by publisher.

• 588

  ▼a  Description based on print version record and CIP data provided by publisher; resource not viewed.

• 650

  ▼a  Hebrew literature
  ▼x  History and criticism.

• 650

  ▼a  Gothic fiction (Literary genre)
  ▼x  History and criticism.

• 776

  ▼i  Print version:
  ▼a  Grumberg, Karen.
  ▼t  Hebrew gothic.
  ▼d  Bloomington : Indiana University Press, 2019.,
  ▼z  9780253042255
  ▼w  (DLC) 2019027940

• 830

  ▼a  Jewish literature and culture.

• 856

  ▼3  EBSCOhost
  ▼u  http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2246697

• 990

  ▼a  강리원

• 991

  ▼a  eBook