MARC Close

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  140125s2014 xx o 000 0 eng d

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  ▼a  9781135046149
  ▼q  (electronic bk.)

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  ▼a  113504614X
  ▼q  (electronic bk.)

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  ▼a  (OCoLC)869096324

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  ▼a  EBLCP
  ▼b  eng
  ▼e  pn
  ▼c  EBLCP
  ▼d  OCLCQ
  ▼d  MHW
  ▼d  N$T
  ▼d  OCLCF
  ▼d  OCLCQ
  ▼d  YDXCP
  ▼d  OCLCQ
  ▼d  248023

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  ▼a  TR685

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  ▼a  PHO
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  ▼2  bisacsh

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  ▼a  778.8
  ▼2  23

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  ▼a  McIntyre, Catherine.

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  ▼a  Visual Alchemy.

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  ▼a  Hoboken:
  ▼b  Taylor and Francis,
  ▼c  2014.

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  ▼a  1 online resource (507 pages).

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  ▼a  text
  ▼b  txt
  ▼2  rdacontent

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  ▼a  computer
  ▼b  c
  ▼2  rdamedia

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  ▼a  online resource
  ▼b  cr
  ▼2  rdacarrier

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  ▼a  Cover; Half Title; Title Page; Copyright Page; Table of Contents; Preface; Dedication; INTRODUCTION; Digital manipulation as a medium of expression; THEMES; Finding your subject; Themes; BEAUTY AND IDEA; INFLUENCES; INSPIRATION; The influence of practice; The influence of environment; SUBJECTS; The portrait; The nude; The landscape; Architecture; The natural world; Still life; Myth; Abstraction; Absence; COLLECTING SOURCE MATERIAL; Taking source photographs; Treasure hunting; Finding a model-portraits and nudes; Photographing portraits and the nude; Anatomy.

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  ▼a  Still life-making your own subjectsBuilding an archive; Interiors; Taking it outside; Public and private collections; Found photographs; Non-photographed input-scanning and filters; Using drawing and painting; METHOD; Technique; Resolution and image quality; Creating a background; Selection; Avoiding selection; Evolution; Shadows and light; Combining textures; Translucency; Cloning; Developing your image; Practice; Saving it and final touches; COMPOSITION; Proportion; Geometry; Gestalt theory; Symmetry and asymmetry; Complexity; Focal point; Achieving perspective; Framing; COLOR.

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  ▼a  Color and spaceColor and mood; Color gamuts; Color contrast; The absence of color-monochrome, sepia and color tints; TEXTURE; Finding textures; Reflections and refractions; Pattern; Microscope to telescope-playing with scale; Using texture; TONE; High- and low-key images; Tonal contrast; INVERSIONS; Color and tone inversions; Solarization; Orientation; DISTORTIONS; DEVELOPING YOUR IMAGE; Developing style; When is a picture finished?; Struggling for ideas?; THE FINISHED IMAGE; Archiving; Getting your work "out there"; Agents; Permissions and copyright issues; FREQUENTLY ASKED QUESTIONS.

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  ▼a  AcknowledgementsModel release form; Further looking and reading; Contributing artists; Index.

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  ▼a  Catherine McIntyre, like many fine artists, created traditional art for decades before encountering the versatility of digital imaging technology. Free of her Rotring pens and scalpel, she now uses Photoshop to create her montages. Visual Alchemy explores McIntyre's sources of inspiration as well as her methods, offering an aesthetic guide to composition, color, texture and all of the other means of communication that artists have at their disposal. While these concepts and techniques make use of Photoshop, they will apply to any digital imaging program and indeed to any medium, whet.

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  ▼a  Print version record.

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  ▼a  eBooks on EBSCOhost
  ▼b  All EBSCO eBooks

• 650

  ▼a  Photomontage.

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  ▼a  Composition (Photography)

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  ▼a  Photography
  ▼x  Digital techniques.

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  ▼a  PHOTOGRAPHY
  ▼x  General.
  ▼2  bisacsh

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  ▼a  Composition (Photography)
  ▼2  fast
  ▼0  (OCoLC)fst00871774

• 650

  ▼a  Photography
  ▼x  Digital techniques.
  ▼2  fast
  ▼0  (OCoLC)fst01061736

• 650

  ▼a  Photomontage.
  ▼2  fast
  ▼0  (OCoLC)fst01062053

• 655

  ▼a  Electronic books.

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  ▼i  Print version:
  ▼a  McIntyre, Catherine.
  ▼t  Visual Alchemy: The Fine Art of Digital Montage.
  ▼d  Hoboken : Taylor and Francis, 짤2014,
  ▼z  9780415816571

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  ▼u  http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=690199

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  ▼a  EBL - Ebook Library
  ▼b  EBLB
  ▼n  EBL1602592

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  ▼a  EBSCOhost
  ▼b  EBSC
  ▼n  690199

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  ▼a  YBP Library Services
  ▼b  YANK
  ▼n  11606542

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  ▼a  YBP Library Services
  ▼b  YANK
  ▼n  11611154

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  ▼a  강리원

• 991

  ▼a  eBook

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  ▼a  92
  ▼b  K8N