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▼a 1089427535
▼a 1089515980
▼a 9780253040725
▼q electronic book
▼a 0253040728
▼q electronic book
▼a 9780253040732
▼q electronic book
▼a 0253040736
▼q electronic book
▼z 9780253040701
▼q hardcover
▼z 9780253040718
▼q paperback
▼z 025304071X
▼q paperback
▼a 2040607
▼b (N$T)
▼a (OCoLC)1089195431
▼z (OCoLC)1089427535
▼z (OCoLC)1089515980
▼a 22573/ctvd53n7d
▼b JSTOR
▼a N$T
▼b eng
▼c N$T
▼d JSTOR
▼d EBLCP
▼d N$T
▼d 248023
▼d YDX
▼d UKAHL
▼d NRC
▼d OCLCF
▼d YDXIT
▼e pn
▼e rda
▼a PN1995.9.A55
▼b W45 2019
▼a 791.43/6529924
▼2 23
▼a 791.430943
▼2 23
▼a Weinstein, Valerie,
▼d 1971-,
▼e author.
▼a Antisemitism in film comedy in Nazi Germany /:
▼c Valerie Weinstein.
▼h [electronic resource].
▼a Bloomington, Indiana:
▼b Indiana University Press,
▼c 2019.
▼a 1 online resource (xi, 281 pages).
▼a text
▼b txt
▼2 rdacontent
▼a computer
▼b c
▼2 rdamedia
▼a online resource
▼b cr
▼2 rdacarrier
▼a Includes bibliographical references and index.
▼a Cover; Title; Copyright; Contents; Acknowledgments; Note on Translation; Introduction: Reconceiving Antisemitism in Third Reich Film Comedy; 1. Overt and Inferential Antisemitism in Nazi Writings and the Film Trade Press; 2. Overt Antisemitism, Jewish Difference, and Colonial Whiteness in Early Third Reich Film Comedy: Nur nicht weich werden, Susanne! and Die Blume von Hawaii; 3. Comic Ersatz: Viktor und Viktoria and Glückskinder; 4. Wenn wir alle Engel wären as the Model of a Racialized German Humor; 5. Capitalism, Colonialism, and the White Jew in April! April! and Donogoo Tonka
▼a 6. Mistaken Identity and the Masked Jew in Robert und Bertram7. Jewish Absence, Epistemic Murk, and the Aesthetics of Cremation in Münchhausen and Die Feuerzangenbowle; Conclusion; Works Cited; Index; About the Author
▼a Today many Germans remain nostalgic about ""classic"" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate ""Jews"" from ""Germans,"" physically, economically, and artistically.
▼a Description based on online resource; title from digital title page (viewed on June 05, 2019).
▼a Antisemitism in motion pictures.
▼a Comedy films
▼z Germany
▼x History
▼y 20th century.
▼a Comedy films
▼x Social aspects
▼z Germany
▼x History
▼y 20th century.
▼a Comedy films
▼x Political aspects
▼z Germany
▼x History
▼y 20th century.
▼c Original,
▼z 025304071X,
▼z 9780253040718
▼w (OCoLC)1043187137
▼3 EBSCOhost
▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2040607
▼a 강리원
▼a eBook
| 자료유형 : | eBook |
|---|---|
| ISBN : | 9780253040725 |
| ISBN : | 0253040728 |
| ISBN : | 9780253040732 |
| ISBN : | 0253040736 |
| ISBN : | |
| ISBN : | |
| ISBN : | |
| 개인저자 : | Weinstein, Valerie, 1971-, author. |
| 서명/저자사항 : | Antisemitism in film comedy in Nazi Germany /: Valerie Weinstein. [electronic resource]. |
| 발행사항 : | Bloomington, Indiana: Indiana University Press, 2019. |
| 형태사항 : | 1 online resource (xi, 281 pages). |
| 서지주기 : | Includes bibliographical references and index. |
| 내용주기 : | Cover; Title; Copyright; Contents; Acknowledgments; Note on Translation; Introduction: Reconceiving Antisemitism in Third Reich Film Comedy; 1. Overt and Inferential Antisemitism in Nazi Writings and the Film Trade Press; 2. Overt Antisemitism, Jewish Difference, and Colonial Whiteness in Early Third Reich Film Comedy: Nur nicht weich werden, Susanne! and Die Blume von Hawaii; 3. Comic Ersatz: Viktor und Viktoria and Glückskinder; 4. Wenn wir alle Engel wären as the Model of a Racialized German Humor; 5. Capitalism, Colonialism, and the White Jew in April! April! and Donogoo Tonka |
| 내용주기 : | 6. Mistaken Identity and the Masked Jew in Robert und Bertram7. Jewish Absence, Epistemic Murk, and the Aesthetics of Cremation in Münchhausen and Die Feuerzangenbowle; Conclusion; Works Cited; Index; About the Author |
| 요약 : | Today many Germans remain nostalgic about ""classic"" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate ""Jews"" from ""Germans,"" physically, economically, and artistically. |
| 일반주제명 : | Antisemitism in motion pictures. -- |
| 일반주제명 : | Comedy films -- Germany -- History -- 20th century. -- |
| 일반주제명 : | Comedy films -- Social aspects -- Germany -- History -- 20th century. -- |
| 일반주제명 : | Comedy films -- Political aspects -- Germany -- History -- 20th century. -- |
| 기타형태 저록 : | Original, 025304071X, 9780253040718 |
| 언어 | 영어 |
| URL : |
|---|
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