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  ▼a  9781135617264
  ▼q  (electronic bk.)

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  ▼a  1135617260
  ▼q  (electronic bk.)

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  ▼a  (OCoLC)876513070

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  ▼a  Moll, Kevin N.

• 245

  ▼a  Counterpoint and Compositional Process in the Time of Dufay:
  ▼b  Perspectives from German Musicology.

• 260

  ▼a  Hoboken:
  ▼b  Taylor and Francis,
  ▼c  2014.

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  ▼a  1 online resource (430 pages).

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  ▼a  text
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  ▼a  online resource
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  ▼a  Criticism and Analysis of Early Music

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  ▼a  Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; SERIES EDITOR'S FOREWORD; FOREWORD; GENERAL PREFACE; ACKNOWLEDGMENTS; EDITOR'S INTRODUCTION Toward a Comprehensive View of Compositional Priorities in the Music of Dufay and his Contemporaries; I. Historiography of Literature to c. 1970; A. Early Studies: c. 1850-1930; B. Sharpening of Focus: c. 1930-1970; II. Evaluation of Concepts and Terminology; A. Roots of the Basic Conceptual Disagreement; B. Geru?stsatz vs. Bourdon-Tiefstimme; C. Contrapuntal Referentiality as a Conceptual Key.

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  ▼a  D. Ernst Apfel's Basic Contrapuntal TypesE. Referentiality, Musical Texture, and Tonal Coherence; ESSAYS; 1 Dufay-Creator of Fauxbourdon; 2 Toward a History of the Genesis of Fauxbourdon; 3 Tonal Harmony and Full Sonority: A Reply to Rudolf von Ficker; I. Concerning the Essence of Linear Art; II. Concerning the Essence of Tonality; III. What Was ""Bourdon""?; IV. Why ""Fauxbourdon""?; 4 Harmony in the Cantus-Firmus Compositions of the Fifteenth Century; I. The Cadences; A. Leading-Tone Cadence; B. Second Main Form of Cadence; C. The Phrygian (Mi- ) Cadence.

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  ▼a  D. Building the Superstructure of CadencesE. The Compositional Application; II. The Passages Apart from the Cadences; 5 The ""Tonal Discant"" and ""Free Discant"" Techniques of Composition in the Fifteenth Century; 6 The Cantus-Firmus Question in the Fourteenth and Early Fifteenth Centuries; 7 The Origin of True Four-Voice Counterpoint in England; 8 Four-Voice Counterpoint in the Fourteenth and Fifteenth Centuries; 9 The Harmonic Structure of Late Medieval Music as a Foundation of Major-Minor Tonality; 10 Late Medieval Harmonic Structure and Major-Minor Tonality.

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  ▼a  11 Tonality and Harmony in the French Chanson between Machaut and DufayI. Guillaume de Machaut; II. French Late Period; III. Pre-Netherlandish Transition Period; IV. Guillaume Dufay; 12 The Effect of Medieval English Polyphony upon the Development of Continental Cantus-Firmus Techniques and Tonal Structure; APPENDIX Glossary and Concordance of Specialized Terms; BIBLIOGRAPHY List of Works Cited and Supplementary Modern Editions; GENERAL INDEX; COPYRIGHT PERMISSION.

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  ▼a  First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

• 588

  ▼a  Print version record.

• 590

  ▼a  eBooks on EBSCOhost
  ▼b  All EBSCO eBooks

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  ▼a  Dufay, Guillaume,
  ▼d  1397-1474
  ▼x  Criticism and interpretation.

• 600

  ▼a  Dufay, Guillaume,
  ▼d  1397-1474
  ▼2  fast
  ▼0  (OCoLC)fst01816530

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  ▼a  500-1499
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  ▼a  Music
  ▼y  500-1400
  ▼x  History and criticism.

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  ▼a  Music
  ▼y  15th century
  ▼x  History and criticism.

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  ▼a  Counterpoint
  ▼x  History.

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  ▼a  MUSIC
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  ▼x  Voice.
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  ▼a  MUSIC
  ▼x  Lyrics.
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  ▼a  MUSIC
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  ▼a  Counterpoint.
  ▼2  fast
  ▼0  (OCoLC)fst00881333

• 650

  ▼a  Music.
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  ▼0  (OCoLC)fst01030269

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  ▼a  Electronic books.

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  ▼a  Criticism, interpretation, etc.
  ▼2  fast
  ▼0  (OCoLC)fst01411635

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  ▼a  History.
  ▼2  fast
  ▼0  (OCoLC)fst01411628

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  ▼i  Print version:
  ▼a  Moll, Kevin N.
  ▼t  Counterpoint and Compositional Process in the Time of Dufay : Perspectives from German Musicology.
  ▼d  Hoboken : Taylor and Francis, 짤2014,
  ▼z  9780815323464

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  ▼a  Criticism and analysis of early music.

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  ▼u  http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=756044

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  ▼a  EBL - Ebook Library
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  ▼n  EBL1666763

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  ▼a  EBSCOhost
  ▼b  EBSC
  ▼n  756044

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  ▼a  강리원

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  ▼a  eBook

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