MARC 닫기
06128cam a2200733Ii 4500
000000694098
20170323095436
m o d
cr cnu---unuuu
150803s2015 enk ob 001 0 eng d
▼a 916950573
▼a 9781472570406
▼q electronic bk.
▼a 1472570405
▼q electronic bk.
▼z 9781472570383
▼z 1472570383
▼z 9781472570376
▼z 1472570375
▼z 9781472570390
▼a (OCoLC)915346679
▼z (OCoLC)916950573
▼a N$T
▼b eng
▼e rda
▼e pn
▼c N$T
▼d IDEBK
▼d N$T
▼d CDX
▼d YDXCP
▼d VLB
▼d EBLCP
▼d OCLCA
▼d 248023
▼a PR6023.A93
▼b Z6885 2015eb
▼a DRA
▼x 003000
▼2 bisacsh
▼a 822/.912
▼2 23
▼a LIT013000
▼a LIT004120
▼a PER004030
▼a PER011020
▼2 bisacsh
▼a Moran, James,
▼d 1978-,
▼e author.
▼a The theatre of D. H. Lawrence:
▼b dramatic modernist and theatrical innovator /:
▼c James Moran.
▼a London ; New York:
▼b Bloomsbury Methuen Drama,
▼c 2015.
▼a 1 online resource.
▼a text
▼b txt
▼2 rdacontent
▼a computer
▼b c
▼2 rdamedia
▼a online resource
▼b cr
▼2 rdacarrier
▼a Critical companions
▼a Includes bibliographical references (pages 229-238) and index.
▼a Cover page; Halftitle page; Series page; Title page; Copyright page; Dedication; Epigraph; CONTENTS; FOREWORD; ACKNOWLEDGEMENTS; OVERVIEW; INTRODUCTION THE SIGNIFICANCE OF LAWRENCE'S PLAYS: SHIFTS IN REPUTATION FROM 1930 TO 2014; The dead playwright; Mid-century reassessments; Influence on playwrights; Current status; CHAPTER 1 WRITING LAWRENCE'S PLAYS: BECOMING A DRAMATIST, 1885 TO 1910; Eastwood; Shakespeare; Arthur and Ernest; Sarah Bernhardt; Croydon and Synge; Davidson Road School; W.B. Yeats; CHAPTER 2 THE FRUSTRATION OF STAGING: DRAMATIC STRUGGLES, 1911 TO 1930; Granville Barker
▼a Edward GarnettRegional repertory theatre; Frieda; The Stage Society; Esme? Percy; Ireland; Farjeon and Goldring; Galsworthy; Another failure; Nottingham; CHAPTER 3 THE DRAMA OF LAWRENCE'S FICTION: PLAYWRIGHT AS NOVELIST; From stage to page; Christmas; G.B. Shaw; Popular theatricals; Esther Andrews; Portable theatre and cinema; Towards a theatre of cruelty; Lawrence's final story; CHAPTER 4 LAWRENCE'S THEATRICAL DEVELOPMENT: REALIST AND EXPERIMENTALIST CROSSCURRENTS; Lawrence the realist?; Ibsen and Strindberg; Hauptmann; Maeterlinck; Italy and Germany; Puebloan ritual; Bertolt Brecht
▼a The final playJoycean parallels; CHAPTER 5 A DIRECTOR'S PERSPECTIVE: PETER GILL, IN CONVERSATION WITH JAMES MORAN; CHAPTER 6 A PLAYWRIGHT'S PERSPECTIVE; CHAPTER 7 A SCREENWRITER'S PERSPECTIVE; CHAPTER 8 AN INTERCULTURAL PERSPECTIVE; CONCLUSION; LAWRENCE'S THEATRE: A TIMELINE; NOTES; BIBLIOGRAPHY; INDEX
▼a "This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama. F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'. But this book foregrounds Lawrence's career as a playwright, exploring unfamiliar contexts and manuscripts, and drawing particular attention to his three most successful works: The Widowing of Mrs Holroyd, The Daughter-in-Law, and A Collier's Friday Night. It examines how Lawrence's novels are suffused with theatrical thinking, revealing how Lawrence's fictions - from his first published work to the last story that he wrote before his death - continually take inspiration from the playhouse. The book also argues that, although Lawrence has sometimes been dismissed as a restrictively naturalistic stage writer, his overall oeuvre shows a consistent concern with theatrical experiment, and manifests affinities with the dramatic thinking of modernist figures including Brecht, Artaud, and Joyce. In a final section, the book includes contributions from influential theatre-makers who have taken their own cue from Lawrence's work, and who have created original work that consciously follows Lawrence in making working-class life central to the public forum of the theatre stage"--
▼c Provided by publisher.
▼a Print version record.
▼a eBooks on EBSCOhost
▼b All EBSCO eBooks
▼a Lawrence, D. H.
▼q (David Herbert),
▼d 1885-1930
▼x Dramatic works.
▼a Lawrence, D. H.
▼q (David Herbert),
▼d 1885-1930.
▼2 fast
▼0 (OCoLC)fst00031306
▼a LITERARY CRITICISM / Drama.
▼2 bisacsh
▼a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.
▼2 bisacsh
▼a PERFORMING ARTS / Film & Video / History & Criticism.
▼2 bisacsh
▼a PERFORMING ARTS / Theater / History & Criticism.
▼2 bisacsh
▼a Criticism and interpretation.
▼2 fast
▼0 (OCoLC)fst01198648
▼a DRAMA / English, Irish, Scottish, Welsh
▼2 bisacsh
▼a Criticism -- History.
▼a Lawrence, D. H. (David Herbert), 1885-1930 -- Dramatic works.
▼a Literature -- History and criticism -- Theory, etc.
▼a Literature -- Philosophy -- History.
▼a Electronic books.
▼a Electronic books.
▼i Print version:
▼a Moran, James, 1978-
▼t The theatre of D. H. Lawrence,
▼z 9781472570383
▼w (DLC) 2015010417
▼w (OCoLC)898160710
▼a Critical companions (London, England)
▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1046744
▼a EBSCOhost
▼b EBSC
▼n 1046744
▼a Ingram Digital eBook Collection
▼b IDEB
▼n cis30431064
▼a Coutts Information Services
▼b COUT
▼n 30431064
▼a YBP Library Services
▼b YANK
▼n 12552150
▼a EBL - Ebook Library
▼b EBLB
▼n EBL2120190
▼a 강리원
▼a eBook
▼a 92
▼b K8N
| 자료유형 : | eBook |
|---|---|
| ISBN : | 9781472570406 |
| ISBN : | 1472570405 |
| ISBN : | |
| ISBN : | |
| ISBN : | |
| ISBN : | |
| ISBN : | |
| 개인저자 : | Moran, James, 1978-, author. |
| 서명/저자사항 : | The theatre of D. H. Lawrence: dramatic modernist and theatrical innovator /: James Moran. |
| 발행사항 : | London ; New York: Bloomsbury Methuen Drama, 2015. |
| 형태사항 : | 1 online resource. |
| 총서사항 : | Critical companions |
| 서지주기 : | Includes bibliographical references (pages 229-238) and index. |
| 내용주기 : | Cover page; Halftitle page; Series page; Title page; Copyright page; Dedication; Epigraph; CONTENTS; FOREWORD; ACKNOWLEDGEMENTS; OVERVIEW; INTRODUCTION THE SIGNIFICANCE OF LAWRENCE'S PLAYS: SHIFTS IN REPUTATION FROM 1930 TO 2014; The dead playwright; Mid-century reassessments; Influence on playwrights; Current status; CHAPTER 1 WRITING LAWRENCE'S PLAYS: BECOMING A DRAMATIST, 1885 TO 1910; Eastwood; Shakespeare; Arthur and Ernest; Sarah Bernhardt; Croydon and Synge; Davidson Road School; W.B. Yeats; CHAPTER 2 THE FRUSTRATION OF STAGING: DRAMATIC STRUGGLES, 1911 TO 1930; Granville Barker |
| 내용주기 : | Edward GarnettRegional repertory theatre; Frieda; The Stage Society; Esme? Percy; Ireland; Farjeon and Goldring; Galsworthy; Another failure; Nottingham; CHAPTER 3 THE DRAMA OF LAWRENCE'S FICTION: PLAYWRIGHT AS NOVELIST; From stage to page; Christmas; G.B. Shaw; Popular theatricals; Esther Andrews; Portable theatre and cinema; Towards a theatre of cruelty; Lawrence's final story; CHAPTER 4 LAWRENCE'S THEATRICAL DEVELOPMENT: REALIST AND EXPERIMENTALIST CROSSCURRENTS; Lawrence the realist?; Ibsen and Strindberg; Hauptmann; Maeterlinck; Italy and Germany; Puebloan ritual; Bertolt Brecht |
| 내용주기 : | The final playJoycean parallels; CHAPTER 5 A DIRECTOR'S PERSPECTIVE: PETER GILL, IN CONVERSATION WITH JAMES MORAN; CHAPTER 6 A PLAYWRIGHT'S PERSPECTIVE; CHAPTER 7 A SCREENWRITER'S PERSPECTIVE; CHAPTER 8 AN INTERCULTURAL PERSPECTIVE; CONCLUSION; LAWRENCE'S THEATRE: A TIMELINE; NOTES; BIBLIOGRAPHY; INDEX |
| 요약 : | "This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama. F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'. But this book foregrounds Lawrence's career as a playwright, exploring unfamiliar contexts and manuscripts, and drawing particular attention to his three most successful works: The Widowing of Mrs Holroyd, The Daughter-in-Law, and A Collier's Friday Night. It examines how Lawrence's novels are suffused with theatrical thinking, revealing how Lawrence's fictions - from his first published work to the last story that he wrote before his death - continually take inspiration from the playhouse. The book also argues that, although Lawrence has sometimes been dismissed as a restrictively naturalistic stage writer, his overall oeuvre shows a consistent concern with theatrical experiment, and manifests affinities with the dramatic thinking of modernist figures including Brecht, Artaud, and Joyce. In a final section, the book includes contributions from influential theatre-makers who have taken their own cue from Lawrence's work, and who have created original work that consciously follows Lawrence in making working-class life central to the public forum of the theatre stage"-- Provided by publisher. |
| 주제명(개인명) : | Lawrence, D. H. (David Herbert), 1885-1930 Dramatic works. |
| 주제명(개인명) : | Lawrence, D. H. (David Herbert), 1885-1930. fast |
| 일반주제명 : | LITERARY CRITICISM / Drama. -- |
| 일반주제명 : | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. -- |
| 일반주제명 : | PERFORMING ARTS / Film & Video / History & Criticism. -- |
| 일반주제명 : | PERFORMING ARTS / Theater / History & Criticism. -- |
| 일반주제명 : | Criticism and interpretation. -- |
| 일반주제명 : | DRAMA / English, Irish, Scottish, Welsh -- |
| 일반주제명 : | Criticism -- History. -- |
| 일반주제명 : | Lawrence, D. H. (David Herbert), 1885-1930 -- Dramatic works. -- |
| 일반주제명 : | Literature -- History and criticism -- Theory, etc. -- |
| 일반주제명 : | Literature -- Philosophy -- History. -- |
| 기타형태 저록 : | Print version: Moran, James, 1978- The theatre of D. H. Lawrence, 9781472570383 |
| 언어 | 영어 |
| URL : |
|---|
서평쓰기