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▼a Thompson, Katrina Dyonne,
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▼a Ring shout, wheel about:
▼b the racial politics of music and dance in North American slavery /:
▼c Katrina Dyonne Thompson. -
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▼a Urbana [Illinois] :
▼b University of Illinois Press,
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▼c ©2014
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▼a 1 online resource (257 pages).
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▼a New Black Studies Series
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▼a Includes index.
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▼a Includes bibliographical references and index.
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▼a The script : "Africa was but a blank canvas for Europe's imagination" -- Casting : "They sang their home-songs, and danced, each with his free foot slapping the deck" -- Onstage : "Dance you damned niggers, dance" -- Backstage : "White folks do as they please, and the darkies do as they can" -- Advertisement : "Dancing through the Streets and act lively" -- Same script, different actors : "Eb'ry time I weel about, I jump Jim Crow" -- Epilogue : the show must go on -- --
-
520
▼a "In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved. As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion. Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots"--
▼c Provided by publisher. -
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▼a Text in English.
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▼a Print verison record.
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▼a eBooks on EBSCOhost
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▼a Slaves
▼z Southern States
▼v Songs and music. -
650
▼a Slaves
▼z United States
▼x Social life and customs. -
650
▼a Race in the theater
▼z United States
▼x History. -
650
▼a Theater and society
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▼x History. -
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▼a African American dance
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▼a Slavery
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▼x Justification. -
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▼a Plantation life
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▼a Racism in popular culture
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▼x History. -
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▼a PERFORMING ARTS
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▼a Thompson, Katrina Dyonne.
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상세정보
Ring shout, wheel about : the racial politics of music and dance in North American slavery
QR코드| 자료유형 : | eBook |
|---|---|
| ISBN : | 9780252096112 |
| ISBN : | 0252096118 |
| ISBN : | |
| ISBN : | |
| ISBN : | |
| ISBN : | |
| ISBN : | |
| ISBN : | |
| 개인저자 : | Thompson, Katrina Dyonne, author. |
| 서명/저자사항 : | Ring shout, wheel about: the racial politics of music and dance in North American slavery /: Katrina Dyonne Thompson. |
| 발행 : | Urbana [Illinois] : University of Illinois Press, 2014. |
| 저작권표시연도 : | ©2014 |
| 형태사항 : | 1 online resource (257 pages). |
| 총서사항 : | New Black Studies Series |
| 일반주기 : | Includes index. |
| 서지주기 : | Includes bibliographical references and index. |
| 내용주기 : | The script : "Africa was but a blank canvas for Europe's imagination" -- Casting : "They sang their home-songs, and danced, each with his free foot slapping the deck" -- Onstage : "Dance you damned niggers, dance" -- Backstage : "White folks do as they please, and the darkies do as they can" -- Advertisement : "Dancing through the Streets and act lively" -- Same script, different actors : "Eb'ry time I weel about, I jump Jim Crow" -- Epilogue : the show must go on -- -- |
| 요약 : | "In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved. As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion. Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots"-- Provided by publisher. |
| 일반주제명 : | Slaves -- Southern States -- Songs and music. -- |
| 일반주제명 : | Slaves -- United States -- Social life and customs. -- |
| 일반주제명 : | Race in the theater -- United States -- History. -- |
| 일반주제명 : | Theater and society -- United States -- History. -- |
| 일반주제명 : | African American dance -- History. -- |
| 일반주제명 : | Slavery -- United States -- Justification. -- |
| 일반주제명 : | Plantation life -- United States. -- |
| 일반주제명 : | Racism in popular culture -- United States -- History. -- |
| 일반주제명 : | Theater and society -- United States -- History. -- |
| 일반주제명 : | SOCIAL SCIENCE -- Ethnic Studies -- African American Studies. -- |
| 일반주제명 : | PERFORMING ARTS -- Dance -- General. -- |
| 일반주제명 : | HISTORY -- United States -- 19th Century. -- |
| 일반주제명 : | SOCIAL SCIENCE -- Customs & Traditions. -- |
| 일반주제명 : | African American dance. -- |
| 일반주제명 : | Plantation life. -- |
| 일반주제명 : | Race in the theater. -- |
| 일반주제명 : | Racism in popular culture. -- |
| 일반주제명 : | Slavery -- Justification. -- |
| 일반주제명 : | Slaves. -- |
| 일반주제명 : | Slaves -- Social life and customs. -- |
| 일반주제명 : | Theater and society. -- |
| 주제명(지명) : | Southern States. fast |
| 주제명(지명) : | United States. fast |
| 기타형태 저록 : | Print version: Thompson, Katrina Dyonne. Ring shout, wheel about : the racial politics of music and dance in North American slavery. Urbana, [Illinois] : University of Illinois Press, ©2014 x, 242 pages New Black studies., 9780252038259 |
| 언어 | 영어 |
| URL : |
|---|
예약
- 1. 예약현황은 홈페이지 로그인 후 예약 페이지에 확인 가능합니다.
- 2. 도착 통보된 예약자료 대출을 원하지 않는 경우에는 예약 현황에서 취소할 수 있습니다.
- 3. 기타 문의사항은 도서관에 문의 바랍니다.
무인예약대출
- 1. 무인예약대출 현황은 홈페이지 로그인 후 무인예약대출 페이지에 확인 가능합니다.
- 2. 무인예약대출자료 대출을 원하지 않는 경우에는 무인예약대출 페이지에서 신청 또는 접수상태인 경우만 취소할 수 있습니다.
- 3. 희망대출일은 신청일로부터 최대 1주일 까지 가능합니다.
- 4. 희망대출일을 선택하지 않은 경우 대출대기 통보 후 1주일까지 기기에서 대출가능합니다.
- 5. 기타 문의사항은 도서관에 문의 바랍니다.
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